The Crow who we are raised to see as a symbol
of pessimism, becomes suddenly an assumed friend, presented either alone in the
space of the painting, or two faces of a crow and a human weaved as one, or
standing on girl’s hand but alienated from each other by the space that
separates them. And sometimes we see him standing on the figure's heads,
superior to them like a king on a throne. The relationship between the crow and
figures continues to stimulate my curiosity, and I still ask the continuous
question about the reason of choosing that confusing relation.
In the Presence of the Crow, Acrilic on canvas, 150x150cm,
2008.
In the Presence of the Crow, Acrylic on canvas, 3m x 3m, 2008
In the Presence of the Crow, Acrylic on canvas, 100*165cm, 2008.
